It’s immediately apparent that Yasuaki Fujita is a more sophisticated composer than Tateishi and Manami Matsumae, who scored the original Mega Man. Mega Man 3, the greatest entry of the prolific series, sets a far different tone with its more straightforward title screen. Takashi Tateishi’s music starts slow and romantic before awkwardly speeding up to make the cliche of a hero watching over a city seem significant and exciting. Mega Man 2’s intro enshrines its protagonist as a defender of justice standing on the top of a building, the wind blowing his hair. The release of Mega Man Legacy Collection raises an old question: “What is the best Mega Man game?”įor years, this question has inspired a strand of criticism known as the overly sentimental Mega Man 2 review, which, if nothing else, matches the overly sentimental tone of the game.
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